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Burmeister Named Cantemus Accompanist

FrancesAs our 2005-2006 season gets underway, Cantemus warmly welcomes Frances Burmeister as our new accompanist. Ms. Burmeister assumes the bench following the retirement of Robert Littlefield, who, after 20 years, retired from Cantemus at the end of last season. Ms. Burmeister holds a Bachelor of Science in Applied Music (Organ) from Old Dominion University, a Master of Music in Performance (Organ) from the University of Michigan, and has spent several summers at the Baroque Performance Institute at Oberlin College. She’s also studied harpsichord and has 30 years experience in church music, both as a conductor and organist. In addition to her Cantemus duties, she is currently Organist/Director of Music at the historic First Religious Society, Unitarian Universalist, in Newburyport. “Frances is a gifted musician,” said Elaine Gomperts, Cantemus President, “and we’re all very pleased to be working with her.” Gary Wood, Music Director, said, “Frances brings a wide-ranging expertise to the position of Cantemus accompanist, and her dedication and artistry will contribute greatly to the ever-growing excellence of the Cantemus Chamber Chorus. I look forward to our collaborative work together.” Ms. Burmeister will perform a solo work during Cantemus’ “Mother and Child” concerts this December.

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Fire and Ice
by Debby Twining, alto 1

When the singers of Cantemus take the stage, often the last instruction received from Conductor Gary Wood is, “Hearts on fire, Brains on ice.” What does this mean to a singer?

“Singing is a very physical activity but it’s also very mental. Singers must always be thinking about how they are singing,” says Dr. Wood. Posture is important – knees slightly bent; high, open chest; relaxed jaw and lips; shoulders relaxed. Then there is the emphasis on how to shape the vowels in the mouth so that they sound consistent and not spread or too open. How and where are you breathing – is it from low in your body producing a long column of air to support the voice? Do you know the music well enough to have your eyes on the conductor with only an occasional look at the score to check entrances or text? That is the voice production part.

Then there is the message of the text. How do you phrase the text as a group of singers to best express to meaning of the piece? Where do the dynamics change and how? How do you enunciate to be sure the audience can understand the words?

In every rehearsal we work on all these techniques and think about these issues so that come concert time, much of it is second nature. It is hard work. But most of us sing for the joy and passion of the music and it is important to impart those feelings as well. Sometimes it feels like an exercise of rubbing your stomach and patting your head simultaneously. But with practice it finally comes together.

“We’re out there to really make something happen, but it’s not going to happen unless the singers and I are mindful of the technical challenges that we are about to undertake,” says Wood.

Perhaps it is the total involvement of the body and mind, Fire and Ice, that ultimately makes choral music so satisfying to the singer and the audience.

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More Best of the Best on Tap for November 30th!

Don’t miss Cantemus’ 6th annual celebration of the choral art, featuring selected high school choirs from the North Shore. The event takes place at Hamilton-Wenham High School on Wednesday, November 30, at 7:30 PM. Tickets are $5 at the door.

The following high school choruses have accepted the invitation to perform at the “Best of the Best” concert.

  • Masconomet Regional (Brian O’Cock, Choral Director)
  • Manchester-Essex (Laura Hargrove, Choral Director)
  • Georgetown (Laura LaFlamme, Choral Director)
  • Hamilton-Wenham (Claudia Frost, Choral Director)
  • Lynnfield High School (Douglas Hodgkins, Choral Director)

Each of the choruses, including Cantemus, will perform separately, so the audience will hear a broad range of styles and repertoire. The concert’s format also gives the school choristers a rare chance to listen to each other in a non-competitive environment. As in previous years, at the end of the evening, all the singers will perform jointly in a rousing finale. Hope you can join us!

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How Choral Music Has Changed Our Lives

Although some Cantemus singers employ music as part of their professional lives, we all (professional musicians or not) sing for the love of it, a love that often sprouted very early in our lives. We thought it would be fun to ask our singers to share how their involvement in choral music, early on and as adults, has affected their lives. Here’s what they had to say:

Pat Collins, alto 2
Best memories: Singing Handel’s Halleluiah chorus with a bunch of Welshmen on the fourth of July in a Welsh pub.
Lessons learned:
Discipline, precision, and teamwork. A big surprise to me is that my voice has improved as I’ve gotten older.
What she brings (and takes) from choral music:
I bring a love of singing, something we choral singers probably all possess. I take away musical knowledge I never would have had access to, a growing repertoire, and wonderful friendships. According to a report I once read, choral singers also have stronger immune systems. I’ll take all I can get of that!

Gary Lubarsky, tenor 1
Best memories: After my freshman year at UMass Amherst, I spent three weeks with the UMass Chorale on a tour of Europe. We sang in Italy, Austria, and Germany, performing choral pieces by classical masters in the kinds of churches and halls they knew, with acoustics they understood. It was the summer of 1974, an uneasy time to be traveling through the airports of Europe, which resembled armed camps due to frequent airline hijackings. But the beauty of the music we made, and the fun we had in the cities and towns, which back then were still entirely European, completely overwhelmed any tension we may have felt. It was a fabulous trip.

Bettina Turner, soprano 2
Early memories: Being a shy and mousy little thing, I was rejected after my first audition for the grade school choir and went home crying. However, I wanted to sing badly enough to gather my courage and ask the teacher for a second chance. She allowed me in, and I have been in one chorus or another ever since.
What she takes from choral singing:
Over the years I have been in at least a dozen choruses in two countries and many cities, finding almost instant community for at least one night a week. Choral singing has been a source of shared focus and joy. Along the way I learned a lot of repertoire, I learned to sight-read and started taking voice lessons. I have become a better musician and singer, and credit choral singing more than any other formal music education I have received. Also, I am not shy and mousy anymore. That changed when, after 20 years of singing alto, I became a soprano and got in touch with my inner diva!


Nancy Weinberg, alto 1
Best memories: My music teacher in the Swampscott public schools adored me, and I her. I remember that she always smiled when she watched me sing which, I’m sure, was what taught me to look up!
What she takes from choral singing:
It is my life. . . . or maybe it saves me from my life. I’ve been known to drive back from Florida (more than once) to get to rehearsal!

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Download Newsletters and Posters

Newsletters and posters are provided in PDF format. You may need to install Adobe Reader® to view them.

Newsletters: Posters:

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It’s not too early to plan to hear Cantemus during the holidays!

Our December concerts are perennial favorites – in fact, last December, our concerts were sell-outs! And we really enjoy singing for full houses! So, bring your friends and family to share the beauty of this seasonal music with those you love!

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Order a CD

Ranging from traditional carols to international music of the season to a complete performance of Benjamin Britten’s masterful "Ceremony of Carols" for treble voices and harp, our debut CD presents the listener with a sampling of our most spirited seasonal pieces.

"Joy Shall Be Yours" is available for purchase at all of our concerts as well as at the River Gallery in Ipswich.

To purchase "Joy Shall Be Yours" by mail, please send a check or money order for $8 per CD, or 2 for $15, plus $2.50 shipping and handling, payable to Cantemus, P.O. Box 784, Ipswich, MA 01938. There are just a few left, so order yours today.

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